Final Cut Studio 2

In October 2006 I wrote:

I think the new version of Motion will be Motion on steroids. Apple will put lots of the stuff Shake can do inside Motion, and now also include the great color tools from Final Touch. I’m not even sure they will continue FinalTouch as separate product. It depends whether they manage to get a work flow for colorists inside Motion.

Yesterday Apple showed their biggest upgrade of Final Cut Pro ever; the Final Cut Studio 2. With new versions of abot everything (except Livetype).

Let me start off with the single most important thing to me as a video editor: Open Format Timeline. With this new feature in FCP, I can drop all my most used video formats in the same timeline… (drum roll) with no rendering!. I’m going to save hours and hours just with this feature. All these formats are supported by this feature:

Open Format Timeline - formats supported

FinalTouch = Color

Apple bought FinalTouch last autumn, and now they are throwing it into Final Cut Studio 2 – for free! Yes, it’s part of the package. Either you pay $1299 for the a new package, or $499 to upgrade from Final Cut Studio, or $699 from any previous version of FCP – including version 1 from 1999. That’s a very good deal. Applause for Apple, who have sold more then 800,000 copies of Final Cut Pro so far, and will sell tons more with this upgrade.

Have a look at the new features of FinalTouch, now called Color.

I’ll have a full rundown of all important new features of the new Final Cut Studio 2 package soon.

  • http://ericpruss.com Eric Pruss

    FinalTouch integration is great, but I am most excited about what appears to be integration of Shake’s features into Motion!

  • http://ericpruss.com Eric Pruss

    FinalTouch integration is great, but I am most excited about what appears to be integration of Shake’s features into Motion!

  • http://www.brilliantdays.com Oyvind

    I agree Eric. The 3D in Motion look like a big leap forward. And Smoothcam in FCP… Lovely!

  • http://www.brilliantdays.com Oyvind

    I agree Eric. The 3D in Motion look like a big leap forward. And Smoothcam in FCP… Lovely!